Sans Superellipse Tadis 2 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: posters, headlines, packaging, signage, labels, industrial, condensed, stencil-like, display, retro, space saving, strong impact, industrial tone, vintage texture, rectilinear, rounded corners, monoline, tall, compact.
A tall, compact sans with monoline strokes and a predominantly rectilinear construction. Curves are minimized into rounded-rectangle (superellipse-like) bowls and terminals, giving counters a softly squared feel. The forms are tightly drawn with short apertures and compact spacing, while slight roughness and small ink-notches at some joins and ends create a subtly distressed, stamped impression. Figures and letters maintain a consistent narrow rhythm, with clear, blocky silhouettes suited to setting in all-caps or short lines.
Works best for display settings where a strong condensed voice is needed: posters, headlines, packaging, labels, and signage. The compact width makes it useful for tight spaces and stacked layouts, while the slightly distressed detailing can add character to branding and editorial callouts.
The font conveys an industrial, utilitarian tone with a hint of vintage signage and print-wear. Its condensed rhythm reads assertive and efficient, while the lightly rugged edges add a handmade, poster-like grit rather than a pristine tech feel.
Likely designed to deliver a condensed, high-impact sans built from softened rectangular geometry, balancing crisp structure with a lightly worn print texture. The goal appears to be efficient space usage and strong legibility at display sizes while injecting a rugged, industrial personality.
Round letters (like O/Q/0) appear as rounded rectangles with relatively uniform stroke thickness, producing strong vertical emphasis. The lowercase follows the same compressed, architectural logic as the caps, keeping texture consistent across mixed-case text. Numerals are similarly narrow and squared-off, matching the alphabet’s compact, sign-painting rhythm.