Script Kelev 2 is a regular weight, narrow, very high contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, logotypes, packaging, elegant, romantic, vintage, refined, playful, formal script, decorative display, handwritten elegance, boutique tone, looped, swashy, monoline-like, upright-leaning, high-waisted.
A flowing, calligraphic script with a pronounced rightward slant and strong thick–thin modulation. Letterforms are compact and tall, with a very small x-height and long ascenders/descenders that create a vertical, airy rhythm. Many strokes terminate in tapered, ball-like teardrops and curved hooks, and capitals feature generous entry/exit flourishes and occasional interior loops. Spacing is relatively tight and widths vary noticeably from narrow stems to broader, rounded bowls, giving words a lively, handwritten cadence while maintaining consistent pen logic.
Best suited for short-form, display applications where its swashes and contrast can breathe—wedding suites, greeting cards, boutique branding, packaging, and hero headlines. It can work for pull quotes or short phrases, but the tight spacing and very small x-height may reduce clarity in long paragraphs or at small sizes.
The font reads as polished and decorative, with a romantic, slightly vintage charm. Its looping capitals and delicate terminals feel celebratory and personal, like formal handwriting on invitations, while the crisp contrast keeps it looking refined rather than casual.
The design appears intended to emulate formal, pen-written script with expressive capitals and graceful terminals, prioritizing elegance and personality over utilitarian readability. Its compact proportions and decorative movement suggest a focus on headline and identity use where a handcrafted, upscale tone is desirable.
Capitals are especially prominent and ornamental, often taller and more flourished than the lowercase, which can make mixed-case settings feel top-heavy in a deliberate, display-oriented way. Numerals echo the same swashy, calligraphic construction and appear best suited to headline sizes rather than dense data.