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Outline Tyba 1 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, logos, packaging, posters, editorial, elegant, decorative, airy, classic, fashion-forward, display impact, luxury tone, editorial style, decorative branding, vintage refinement, outline, monoline, high-contrast illusion, didone-inspired, ornamental.


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This typeface is built from crisp outline contours that read as a delicate, monoline skeleton rather than filled strokes. Letterforms follow a classical serif structure with vertical stress and refined proportions, while the hollow construction creates a double-line effect around bowls and stems. Serifs are sharp and hairline-like, with tight joins and clean terminals that keep the silhouette precise. Curves are smooth and controlled, and spacing feels open because counters and interiors remain largely unfilled, giving the overall texture a light, airy rhythm in text.

Best suited to display settings such as headlines, mastheads, brand marks, invitations, and packaging where the outline construction can be appreciated. It can also work for short editorial callouts or pull quotes, especially in fashion or lifestyle layouts. For long text or small sizes, the fine outline structure is likely to feel visually light and less robust than a filled serif.

The outline treatment lends a boutique, editorial sensibility—polished and decorative without becoming overly ornate. It evokes a vintage-meets-modern glamour often associated with fashion, beauty, and upscale packaging, where delicacy and display impact matter more than dense readability.

The design appears intended to reinterpret a classic serif through a refined outline drawing, producing a high-end, airy look that stands out on light backgrounds and in spacious compositions. Its goal is more about visual signature and elegance than utilitarian text performance.

Distinctive personality shows in the more stylized glyphs (notably forms with swashy or looped details), which add flourish while remaining consistent with the thin-contour construction. Numerals and capitals maintain a formal, engraved feel, and the hollow structure can create striking results at larger sizes where the outlines have room to breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸