Print Himoy 3 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Mikado' by HVD Fonts, 'PTL Attention' by Primetype, 'Mister London' and 'Point Panther' by Sarid Ezra, 'Greek Font Set #2' by The Fontry, 'Mundial Narrow' by TipoType, 'Boulder' by Umka Type, and 'Ambra Sans' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, kids, packaging, stickers, playful, friendly, bouncy, cartoonish, casual, fun emphasis, approachability, handmade feel, display impact, youthful tone, chunky, rounded, soft, bulbous, quirky.
A chunky, rounded display face with heavily inflated strokes and soft, blobby terminals. Letterforms are simplified and geometric at the core, then loosened with hand-drawn wobble, producing subtly uneven curves, off-round counters, and irregular stroke edges. Proportions are compact with broad bowls and short apertures, while spacing feels intentionally lively rather than strictly uniform; round glyphs (O, Q, 0) read especially full and weighty. The numerals follow the same inflated construction, with closed, cushioned shapes and minimal interior detail.
Best suited for short, high-impact text such as headlines, poster titles, product packaging, and playful social graphics where the bold, puffy silhouettes can work at larger sizes. It also fits children’s materials, casual café or shop signage, and lighthearted brand marks where warmth and approachability are desired.
The overall tone is upbeat and approachable, with a childlike, comic energy that feels informal and welcoming. Its puffy shapes and gentle irregularity suggest handmade signage and playful branding rather than sober editorial typography.
The design appears intended to deliver maximum friendliness and visual punch through inflated forms and hand-drawn irregularity, prioritizing personality and immediacy over strict typographic precision. It aims to look like a bold, doodled display alphabet that remains coherent across a full basic set of letters and numerals.
Counters are generally small relative to the heavy mass, and apertures tend to close up, which increases the sense of solidity but reduces clarity at smaller sizes. The rhythm relies on soft curves and rounded corners throughout, giving the font a consistent “bubble” silhouette across caps, lowercase, and figures.