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Free for Commercial Use

Blackletter Aska 4 is a regular weight, narrow, medium contrast, upright, normal x-height font.

Keywords: headlines, posters, branding, packaging, editorial, medieval, ceremonial, gothic, dramatic, historic, period flavor, decorative impact, calligraphic texture, traditional voice, angular, flared, calligraphic, ornate, textura-like.


Free for commercial use
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This typeface uses a blackletter-derived structure with angular, broken strokes and pointed joins, softened by subtle curvature in bowls and terminals. Stems are relatively dark and even, with moderate contrast that suggests a broad-nib or pen-informed construction rather than purely geometric drawing. Many terminals flare into wedge-like endings, and counters are compact, producing a dense, rhythmic texture. Proportions feel on the condensed side, with tall ascenders and a steady baseline presence; the overall spacing reads tight and text-block oriented, with individual letters showing slightly varied widths consistent with hand-formed logic.

It is well suited for display settings such as headlines, posters, album or event titles, and branding where a historic or gothic atmosphere is desired. It can also work for short editorial passages, pull quotes, or certificates where a dense, traditional texture is an asset, though its ornamental forms suggest avoiding very small sizes or long-running body copy.

The font conveys a historic, ceremonial tone associated with manuscript lettering and traditional Germanic blackletter. Its sharp joins and heavy color lend it a serious, authoritative voice, while the slightly softened curves keep it approachable enough for decorative contemporary use. Overall it feels gothic, dramatic, and crafted.

The design appears intended to translate blackletter calligraphy into a consistent, printable text-and-display style, balancing sharp broken forms with controlled curves for readability. Its condensed proportions and strong vertical rhythm suggest a focus on impactful texture and period character in titles and short texts.

The lowercase shows a strong vertical cadence typical of blackletter text faces, helping lines lock into a consistent pattern. Numerals follow the same calligraphic logic with curved, flared endings that keep them visually integrated with the alphabet.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸