Sans Superellipse Ganak 12 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Gotham' by Hoefler & Co., 'Fact' by ParaType, 'PF Square Sans Condensed Pro' by Parachute, 'Core Sans N' and 'Core Sans NR' by S-Core, and 'Eastman Condensed' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, promotions, packaging, sporty, urgent, assertive, energetic, modern, impact, speed, display, branding, legibility, slanted, rounded, compact, blocky, punchy.
A heavy, slanted sans with compact proportions and rounded, superellipse-like curves. Strokes are monolinear and robust, with large enclosed counters that stay open at display sizes. Terminals are broadly cut and slightly angled, giving the letters a forward-leaning, kinetic rhythm. The lowercase is straightforward and sturdy (single-storey a), with a round dot on i/j, while figures are bold and simplified for strong presence.
Best suited to high-impact contexts like headlines, posters, sports or event branding, and promotional graphics where bold, fast visual energy is desired. It also fits punchy packaging and social media cards, especially when set with generous line spacing to keep blocks of text from feeling dense.
The overall tone is loud and performance-driven, reading as athletic and promotional. The pronounced slant and dense black shapes create a sense of speed and urgency, while the rounded geometry keeps it friendly rather than sharp or aggressive.
The font appears designed to maximize visual punch and momentum through a strong italic slant, rounded-rectangular structure, and simplified, sturdy letterforms. The intention seems to be a contemporary display sans that stays highly legible while delivering a dynamic, action-oriented voice.
In continuous text the weight produces a strong horizontal flow, and the slant emphasizes motion; spacing appears intentionally tight for impact. The design favors clear silhouettes over delicate detailing, making it feel built for headlines and short bursts of copy rather than long-form reading.