Print Dadig 5 is a light, very narrow, low contrast, upright, short x-height font.
Keywords: headlines, posters, book covers, packaging, greeting cards, playful, whimsical, casual, storybook, hand-drawn, handmade charm, friendly display, space-saving, lively texture, informal tone, spiky terminals, tapered strokes, irregular rhythm, quirky, bouncy baseline.
A tall, condensed handwritten print with slender, slightly tapered strokes and pointed, brush-like terminals. Letterforms show gentle wobble and uneven contouring, creating an intentionally irregular rhythm while remaining clearly legible. Curves are narrow and upright, with oval counters that feel stretched vertically; joins are minimal and the overall construction stays unconnected. Spacing is moderately open for such a narrow design, and the numerals follow the same hand-drawn, tapered logic with simple, airy shapes.
This font suits short to medium-length display settings where a casual, handcrafted voice is desired—headlines, posters, book covers, and packaging callouts. It also works well for greeting cards, invitations, and playful branding accents, especially when paired with a simpler text face for longer reading.
The overall tone is playful and a bit mischievous, like quick marker or brush lettering used for informal notes or characterful titles. Its narrow, spiky detailing adds energy and a slightly quirky edge, giving text a lively, handmade personality without becoming chaotic.
The design appears intended to emulate quick, expressive hand lettering in a condensed footprint, combining legibility with an intentionally imperfect, animated line quality. Its tapered terminals and narrow proportions suggest a goal of fitting impactful words into tight spaces while keeping a personable, handmade texture.
Uppercase and lowercase maintain a consistent narrow silhouette, but individual glyphs vary subtly in stroke flare and curvature, reinforcing the drawn-by-hand feel. The design reads best when allowed some breathing room, as the pointed terminals and tight proportions can visually accumulate in dense settings.