Sans Superellipse Otbep 2 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Berthold Corporate S' by Berthold, 'Neusa Neu' by Inhouse Type, 'Kommon Grotesk' by TypeK, and 'Corporate S' and 'Corporate S WGL' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, branding, signage, ui labels, posters, modern, confident, friendly, techy, clean, impact, modernization, clarity, approachability, versatility, geometric, rounded, sturdy, compact, high-impact.
A heavy, geometric sans with rounded-rectangle (superellipse) curves and consistent, low-contrast strokes. Counters are broad and open, with smooth joins and minimal modulation, giving the shapes a stable, blocky clarity. Capitals read compact and uniform, while the lowercase keeps a straightforward structure with round bowls and simple terminals; the overall rhythm is even and dense, optimized for strong silhouette and clear spacing. Numerals match the same robust, rounded geometry, with a plain, utilitarian construction and strong vertical emphasis.
Best suited to short-to-medium text at larger sizes where its weight and compact geometry can deliver impact—headlines, brand marks, packaging, posters, and wayfinding. It can also work for UI labels and navigational elements where a sturdy, modern sans is needed, especially when set with generous spacing to maintain clarity.
The tone is contemporary and self-assured, balancing friendliness from the softened curves with a no-nonsense, industrial solidity. It feels at home in modern digital environments—confident, legible, and direct—without becoming overly clinical.
The design appears intended to provide a contemporary, high-impact sans with softened, superelliptical geometry—aiming for a blend of approachability and authority. Its consistent stroke behavior and simplified details suggest a focus on reliable reproduction across screen and print contexts.
Round letters (like O/C/G) lean toward squarish rounds rather than perfect circles, reinforcing a superelliptical, UI-forward feel. Diagonals (A/V/W/X/Y) are thick and steady, supporting a strong headline presence while keeping forms simple and consistent.