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Wacky Ukwi 5 is a very bold, very narrow, high contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'CF Blast Gothic' by Fonts.GR, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, album covers, event promos, streetwear, grunge, aggressive, punk, chaotic, industrial, instant texture, shock value, space saving, rebellion, distressed, slanted, condensed, eroded, rough.


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A condensed, strongly slanted display face with heavy, blocky letterforms and sharp, wedge-like terminals. The silhouettes read as bold and compact, with tight counters and a forward-leaning rhythm that emphasizes speed and impact. Across both uppercase and lowercase, the strokes are repeatedly interrupted by irregular "chipped" gaps and scratch-like cutouts, creating a consistent distressed texture that runs through the set. Numerals follow the same compressed proportions and erosion pattern, maintaining an even, poster-friendly color on the page despite the deliberate fragmentation.

Best used for large-scale display typography where the erosion and tight, condensed build can read as intentional texture—posters, flyers, album/mixtape artwork, nightlife and festival promotion, and bold packaging or apparel graphics. It can also work for short logotypes or title cards when a gritty, high-impact voice is desired.

The overall tone is loud, edgy, and confrontational, with a gritty, worn-in feel that suggests abrasion, noise, and motion. Its distressed breaks and steep slant give it a rebellious, street-level energy suited to attention-grabbing headlines rather than quiet reading.

The design appears intended to deliver maximum punch in minimal horizontal space while adding a built-in distressed effect for instant attitude. By combining steep slant, compact shapes, and deliberate chipping, it aims to evoke a worn, roughed-up aesthetic that feels energetic and unconventional.

The distressing appears embedded into the glyph shapes rather than added as a separate overlay, producing repeating fracture motifs at similar heights across different letters. This texture can add character at large sizes, but it also reduces clarity in smaller settings where the internal gaps begin to compete with counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸