Script Kuduv 2 is a light, normal width, very high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, formal, romantic, refined, classic, calligraphy mimic, formal elegance, decorative display, signature look, swashy, calligraphic, delicate, flowing, ornate.
A delicate, right-leaning script with hairline-thin joins and sharply tapered thick strokes that create a crisp, calligraphic rhythm. Letterforms are narrow and tall with long ascenders and descenders, frequent entry/exit strokes, and generous swashes on capitals that extend horizontally. The stroke endings are pointed and clean, with looped forms and occasional teardrop-like terminals that emphasize a pen-written feel. Spacing is relatively open for a script, helping the intricate shapes remain legible in short phrases while preserving a graceful, continuous flow.
This font is well suited to wedding and event stationery, formal invitations, certificates, and luxury branding where a decorative script voice is desired. It works best in headlines, short names, and logo-like lockups, and is less appropriate for small text or long paragraphs where the fine hairlines and ornate capitals may reduce clarity.
The overall tone is polished and ceremonial, evoking traditional penmanship and classic invitation lettering. Its sweeping capitals and airy hairlines read as romantic and upscale, with a poised, boutique sensibility rather than casual handwriting.
The design appears intended to emulate refined pointed-pen calligraphy in a consistent digital form, prioritizing graceful motion, dramatic capitals, and a high-fashion finish. Its proportions and flourishes suggest a focus on expressive display typography for premium, celebratory, or romantic contexts.
Capitals are especially decorative, featuring pronounced loops and extended flourishes that can dominate a line and add strong personality. Numerals follow the same elegant, slanted construction, with curving forms and fine terminals that suit display settings more than utilitarian data typography.