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Free for Commercial Use

Serif Flared Syso 11 is a bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Aeris' by Linotype, 'Koning Display' by LucasFonts, 'Diaria Sans Pro' by Mint Type, 'Ponta Text' by Outras Fontes, and 'Foundry Journal' by The Foundry (names referenced only for comparison).

Keywords: headlines, editorial, book covers, branding, posters, classic, literary, warm, authoritative, traditional, heritage tone, display impact, editorial voice, classic readability, brand character, bracketed, flared, calligraphic, sculpted, ink-trap free.


Free for commercial use
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A sculpted serif with flared stroke endings and subtly bracketed serifs, giving stems a gently carved, wedge-like finish. Curves are full and round with slightly tightened apertures, while terminals often taper into angled, chisel-like cuts. Proportions feel robust and steady, with a confident rhythm and a mix of broad bowls and firm verticals that keeps text color even at display sizes. Numerals follow the same engraved logic, with strong vertical presence and crisp, angled terminals.

Best suited to headlines, pull quotes, book and magazine typography, and identity work where a traditional serif voice is desired. It can also serve for short-to-medium passages in print-oriented layouts, especially where a strong, dark text color and a heritage tone are beneficial.

The overall tone is classic and bookish, with an old-style, humanist warmth that reads as established and trustworthy. Its flared detailing adds a touch of ceremonial gravitas—evoking editorial tradition, heritage branding, and formal print—without feeling overly ornate.

The design appears intended to combine classical serif readability with a distinctive flared, engraved finish that enhances presence and memorability. It aims to deliver a dignified, authoritative voice with enough shaping in terminals and serifs to stand out in display settings.

In the sample text, the face holds together with a dense, steady texture; the heavier joins and flared endings create a distinctive silhouette in capitals, while lowercase maintains a readable, slightly condensed feel in counters and apertures. The design’s angular terminals and swelling stems are especially noticeable in letters with strong verticals and diagonals, giving headings a stately presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸