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Free for Commercial Use

Sans Other Eska 12 is a very bold, wide, very high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, branding, signage, industrial, techno, architectural, authoritative, aggressive, impact, display, mechanical, futurism, stencil-like, modular, angular, squared, monolinear feel.


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A compact, modular display sans built from squared geometry and hard right angles, with frequent cut-ins that create a stencil-like, segmented construction. Strokes are predominantly blocky and vertical, contrasted by occasional hairline diagonals and spikes (notably in K, V, W, X, and Y) that add sharp, mechanical accents. Counters tend to be rectangular and tightly enclosed, and many joins are made with abrupt steps rather than smooth curves, producing a pixel/plate-cut rhythm. Overall spacing and widths vary noticeably by glyph, reinforcing a constructed, headline-oriented texture rather than a uniform text face.

Best suited to headlines, posters, logos, and bold branding where the segmented construction can be appreciated at larger sizes. It can also work for signage or interface titling that benefits from a mechanical, modular voice, but is less appropriate for long-form reading due to the dense shapes and intricate cut-ins.

The tone is industrial and techno, evoking signage, machinery, and angular sci‑fi interfaces. Its heavy black mass and abrupt internal cuts feel commanding and slightly aggressive, while the thin diagonal slashes add a precise, engineered edge.

The font appears designed to translate a modular, stencil-cut idea into a dramatic display sans, combining heavy blocks with razor-thin diagonal incisions for a high-impact, engineered look. Its goal seems to be instant visual presence and a distinctive techno-industrial signature rather than neutral versatility.

The design leans on straight horizontals and verticals with minimal curvature, so round characters (like O and Q) read as squared forms with inset counters. Several glyphs include distinctive internal notches and asymmetrical cuts that create a busy silhouette at smaller sizes, but provide strong personality in large-scale use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸