Sans Superellipse Pynum 9 is a regular weight, narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Mercurial' by Grype, 'Morandi' by Monotype, and 'Althawra Fikra' by syria arabic (names referenced only for comparison).
Keywords: ui labels, wayfinding, dashboards, packaging, branding, modern, technical, utilitarian, clean, friendly, clarity, space efficiency, contemporary branding, systematized design, rounded corners, rectilinear curves, open apertures, compact, even color.
A compact sans with superelliptical, rounded-rectangle construction throughout. Strokes are monolinear with crisp terminals and gently radiused corners, creating a squared-off geometry without feeling harsh. Counters are tidy and fairly closed in letters like B, P, and R, while round letters such as O and Q read as soft rectangles; the Q uses a short, integrated tail. Uppercase forms are straightforward and disciplined, with a slightly condensed stance and consistent stroke rhythm; the lowercase maintains clear differentiation, with a single-storey a, a narrow, compact e, and a straightforward t with a short crossbar. Numerals follow the same squared-rounded logic, with simple, readable shapes and consistent spacing.
This font works well where compactness and quick recognition matter, such as UI labels, navigation, dashboards, and information design. Its steady texture also suits contemporary branding and packaging that want a clean, engineered look without becoming overly cold.
The overall tone is contemporary and pragmatic, balancing a technical, system-like precision with a mild friendliness from the rounded corners. It feels efficient and no-nonsense, suited to interface-forward design where clarity and restraint are valued.
The font appears intended as a practical, contemporary sans that uses superelliptical curves to deliver a distinctive, modern silhouette while maintaining straightforward legibility and consistent texture in text.
The design leans on verticals and right angles, but avoids rigidity by rounding joins and corners rather than using circular bowls. Spacing appears even and controlled, giving paragraphs a steady texture and predictable rhythm.