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Free for Commercial Use

Serif Flared Girom 3 is a bold, wide, medium contrast, italic, normal x-height font visually similar to 'Branden' by Craft Supply Co, 'Magnum Sans' and 'Magnum Sans Pro' by FontMesa, 'Grilova' by Gilar Studio, 'Galvani' by Hoftype, 'Monto Screen' by Lucas Tillian, 'Evander' by Punchform, 'Core Sans N SC' and 'Core Sans NR' by S-Core, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: headlines, editorial, magazine, branding, posters, classic, confident, literary, authoritative, emphasis, editorial tone, classic revival, dynamic texture, display impact, bracketed, swashy, calligraphic, open counters, dynamic.


Free for commercial use
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This typeface presents a robust italic serif voice with gently flared stroke endings and bracketed serifs that soften joins and terminals. The letterforms are broad-shouldered and set with generous internal space, producing open counters and a steady rhythm even at larger sizes. Strokes show a clear but controlled contrast, with swelling on curves and tapered terminals that give the design a subtly calligraphic motion. Capitals feel sturdy and slightly condensed by the slant, while the lowercase maintains a conventional x-height and prominent ascenders/descenders that emphasize the italic flow.

It’s well suited to editorial headlines, magazine typography, and brand or campaign statements where an italic serif can carry emphasis with authority. The broad forms and open counters make it effective for posters and large-format settings, while the controlled contrast supports short passages and pull quotes when ample size and leading are available.

The overall tone is assertive and editorial, mixing traditional bookish manners with a more energetic, display-friendly slant. It reads as confident and refined rather than delicate, evoking classic publishing and headline typography with a contemporary crispness.

The design appears intended to deliver a strong, legible italic serif with flared, calligraphy-informed terminals—balancing classical proportions with a more expressive, display-ready presence.

Details such as the curled tail of the Q, the brisk diagonal energy in K/V/W/X, and the lively, slightly swashy terminals reinforce a dynamic texture. Numerals are sturdy and high-contrast enough to stand up alongside the letters without feeling purely utilitarian.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸