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Free for Commercial Use

Print Fulej 4 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Wayfinding Sans Pro' by FDI, 'Whitney' by Hoefler & Co., 'Belle Sans' by Park Street Studio, 'Comenia Sans' by Suitcase Type Foundry, 'Beval' by The Northern Block, 'Roanne' by Tour De Force, and 'Ligurino' by Typodermic (names referenced only for comparison).

Keywords: posters, packaging, kids, headlines, signage, playful, casual, quirky, friendly, crafty, handmade feel, approachability, high impact, casual display, warmth, marker-like, rounded, chunky, irregular, bouncy.


Free for commercial use
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A chunky, marker-like print face with rounded terminals and visibly irregular stroke edges that mimic hand pressure and a slightly dry brush. Letterforms are simplified and sturdy, with soft corners, occasional bulges, and a gently uneven baseline rhythm that keeps the texture lively without sacrificing clarity. Proportions vary from glyph to glyph, with wide, open counters and compact joins; the numerals and capitals carry the same hand-drawn wobble and weighty presence, giving the set a cohesive, poster-ready color.

Well suited to short-form display: posters, headers, packaging callouts, labels, menus, and signage that benefits from a friendly hand-rendered feel. It also fits educational and kid-focused materials, invitations, and social graphics where warmth and approachability matter more than typographic precision in long reading.

The overall tone is upbeat and informal, with a crafty, human warmth that feels approachable and a little mischievous. Its bouncy rhythm and imperfect contours suggest hand-made signage, classroom materials, or DIY branding rather than polished corporate typography.

The design appears intended to capture the immediacy of hand-lettered print with a thick marker/brush tool—prioritizing charm, visibility, and personality over strict geometric consistency. Its forms aim to feel spontaneous and human while remaining legible in everyday display contexts.

The texture reads best at medium to large sizes where the edge irregularities become a feature, while smaller settings may feel dense due to the heavy strokes and tight interior spaces in a few letters. The glyph set shows consistent “drawn” logic across cases and figures, keeping the personality intact in mixed-case text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸