Distressed Innuh 2 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, book covers, packaging, labels, editorial, typewriter, vintage, gritty, noir, utilitarian, aged print, period flavor, grit texture, analogue feel, dramatic tone, slab serif, rough edges, inked, uneven, blunt.
A slab-serif, typewriter-inspired design with blunt terminals and compact, boxy proportions. Strokes show deliberate roughening and slight waviness, as if from worn metal type or uneven inking, creating irregular outer edges and small interior nicks. Serifs are sturdy and mostly rectangular, and the overall construction stays upright and fairly consistent while allowing natural-looking variation in contour and weight distribution. Counters are open and readable, with a workmanlike rhythm that holds up in paragraphs despite the distressed texture.
Well-suited to headlines and short-to-medium text where a vintage, distressed texture is desired—such as posters, book covers, editorial pull quotes, packaging, and product labels. It can also work for thematic UI/graphics (e.g., dossiers, forms, or signage-style layouts) when a worn printed look helps set the scene.
The face conveys a vintage, documentary tone with a gritty, lived-in surface. It feels industrial and practical rather than refined, evoking printed ephemera, crime-noir titles, and utilitarian labels. The distressed detailing adds tension and character, suggesting age, wear, or imperfect reproduction.
The design appears intended to recreate the feel of old typewritten or letterpress text after repeated use—maintaining familiar slab-serif shapes while introducing controlled irregularity. The goal seems to be legibility first, with surface distress providing atmosphere and authenticity rather than heavy distortion.
Capitals have a strong, stamped presence, while lowercase maintains a straightforward, readable skeleton with slightly uneven bowls and shoulders. Numerals match the same rugged texture and retain clear silhouettes, reinforcing the font’s consistent, printed-from-type impression across sets.