Sans Superellipse Omdom 7 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Festivo Letters' by Ahmet Altun, 'Armetica' by Hsan Fonts, 'Antiquel' by Lemonthe, 'Autogate' by Letterhend, 'Hardley Brush' by Negara Studio, and 'PG Gothique' by Paulo Goode (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, industrial, assertive, utilitarian, contemporary, condensed, space saving, high impact, system design, modern utility, rounded corners, square-oval, high contrast shapes, compact, sturdy.
A compact, heavy sans with straight-sided forms and rounded-rectangle curves that give bowls and counters a squared-off, superellipse feel. Strokes are consistently thick with clean, crisp terminals and minimal modulation, producing a solid color in text. Proportions are narrow with tight interior spaces, while curves (especially in C, G, O, and the lowercase) stay controlled and slightly boxy rather than fully circular. Numerals match the letterforms in weight and compactness, reading clearly with the same rounded-corner geometry.
Best suited for headlines, short statements, and display settings where a compact, high-impact sans is needed. It also fits signage, labels, and packaging systems that benefit from strong, space-efficient letterforms and a controlled geometric voice.
The overall tone is direct and workmanlike, with an industrial confidence. Its squared curves and dense weight feel modern and utilitarian, leaning toward signage and strong labeling rather than delicate editorial voice.
The font appears intended to deliver maximum impact in minimal horizontal space while maintaining a cohesive rounded-rectangle geometry. It aims for a contemporary, engineered look that stays neutral enough for systems work but distinctive through its squared curves and dense presence.
The design’s defining feature is the consistent rounded-corner construction applied across straight stems and curved bowls, creating a disciplined, engineered rhythm. The tight counters and compressed width increase punch at larger sizes but can make long passages feel dense if set too small or too tight.