Print Inlir 2 is a very bold, normal width, medium contrast, italic, normal x-height font.
Keywords: posters, album covers, event flyers, headlines, stickers, grungy, playful, handmade, loud, rugged, handmade texture, distressed impact, expressive display, informal voice, textured, blobby, irregular, chunky, inky.
A heavy, hand-drawn print style with irregular, blobby silhouettes and visibly uneven edges that mimic wet ink or a loaded marker. Strokes are thick and mostly monolinear, with occasional swelling and pinched corners that create a rough, torn-outline texture. Forms lean slightly and feel loosely constructed, with inconsistent bowls and counters that vary from glyph to glyph; the overall rhythm is energetic rather than polished. Spacing and widths fluctuate, and many letters have lumpy terminals and asymmetric joins that emphasize an organic, handmade look.
Best suited to short, high-impact applications such as posters, flyers, album art, packaging callouts, and attention-grabbing headlines. It can work for brief display copy where a gritty, handmade personality is desired, but it will be less comfortable for long passages or small sizes due to its dense weight and irregular counters.
The font conveys a bold, messy confidence—more punk flyer than polished signage. Its rough texture and exaggerated weight give it a noisy, rebellious tone, while the rounded, cartoonish shapes keep it approachable and fun rather than threatening.
Likely designed to capture the spontaneity of hand-lettered display type with a distressed, inky texture and a deliberately imperfect construction. The goal appears to be maximum personality and impact—prioritizing expressive shape and surface over geometric consistency.
In running text, the dense black color builds quickly, so legibility is strongest at larger sizes where the inner counters and ragged edges have room to breathe. The texture is a defining feature: it reads like distressed paint/ink rather than a clean digital brush, giving headlines a tactile, printed feel.