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Free for Commercial Use

Distressed Emmaf 9 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'AT Move Skewy' by André Toet Design, 'Grupi Sans' by Dikas Studio, 'Kurri Island' by Mans Greback, and 'Eloque' by Prestigetype Studio (names referenced only for comparison).

Keywords: posters, logos, packaging, headlines, t-shirts, playful, handmade, grungy, friendly, retro, add texture, feel handmade, create retro mood, increase impact, rounded, blobby, inky, textured, soft corners.


Free for commercial use
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A heavy, rounded display face with soft, swollen contours and compact counters. Letterforms are built from thick, monoline-like strokes whose edges are subtly uneven, with visible interior scuffing and ink-break textures that create a worn, printed feel. Terminals are broadly rounded and shapes stay simple and geometric at a high level, while the distressed detailing adds irregular rhythm across glyphs. Numerals and capitals maintain strong, chunky silhouettes designed to hold up in short words and headlines.

Best suited for bold display applications such as posters, event graphics, apparel, stickers, and product packaging where the textured fill can be appreciated. It also works for playful branding and short logo wordmarks, while longer text blocks may feel dense due to the heavy strokes and compact counters.

The overall tone is cheerful and approachable, like a handmade sign or stamped packaging, but with a gritty, imperfect finish. The distressed texture adds a vintage, DIY energy that reads as casual and a bit mischievous rather than polished or corporate.

The design appears intended to deliver a chunky, friendly display voice with deliberate print-wear character, combining rounded forms for approachability with distressed detailing to suggest analog production and retro grit.

The texture appears consistent across letters, suggesting intentional, repeatable distress rather than random damage. Tight interior spaces and thick joins make it more effective at larger sizes, where the scuffed details remain legible and become a defining characteristic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸