Script Abgoj 3 is a regular weight, narrow, high contrast, upright, short x-height font.
Keywords: invitations, branding, packaging, headlines, greeting cards, whimsical, vintage, friendly, elegant, handcrafted, hand-lettered feel, decorative caps, warmth, display emphasis, calligraphic, looping, flourished, monoline-like, bouncy.
A handwritten script with a lively, calligraphic rhythm and gently tapered strokes that create clear thick–thin contrast. Letterforms are mostly upright with rounded bowls, soft terminals, and frequent entry/exit strokes that encourage a connected flow, while remaining readable when set as individual characters. Capitals are decorative and varied, featuring generous loops and occasional swashes; lowercase forms keep a compact x-height and rely on tall ascenders/descenders for personality. Spacing feels natural and slightly irregular in a hand-drawn way, and the numerals follow the same curvy, flowing construction.
Best suited to short-to-medium display settings where its loops and contrast can shine: invitations, greeting cards, boutique branding, product packaging, and editorial headlines. It also works well for pull quotes or section titles when you want a handcrafted, personable accent rather than a strictly formal script.
The overall tone is warm, personable, and a bit storybook, with a vintage charm that suggests hand-lettered signage or stationery. Its flourishes add a touch of elegance without feeling overly formal, giving it a welcoming, celebratory voice.
Likely designed to emulate neat, hand-lettered calligraphy with approachable charm—balancing legibility with decorative capitals and gentle swashes. The goal appears to be a versatile script for display typography that feels human and expressive while still maintaining consistent structure across the alphabet and figures.
Several glyphs show distinctive, individualized construction—especially the capitals and the looped descenders—so the texture is more expressive than uniform. The high contrast and ornamental turns become more prominent at larger sizes, where the curves and terminals read as intentional details rather than texture.