Sans Superellipse Etgow 2 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'FF Good' by FontFont and 'PODIUM Sharp' by Machalski (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, urgent, sporty, industrial, punchy, retro, space saving, high impact, motion, display emphasis, condensed, oblique, compact, forceful, high-impact.
A compact, condensed sans with a strong forward slant and heavy, uniform strokes. Shapes are built from rounded-rectangle and superellipse-like curves, giving counters a softly squared feel rather than pure circles. Terminals are clean and blunt, with tight apertures and a dense texture that reads as a solid column of black at display sizes. Uppercase forms are tall and narrow; lowercase keeps a straightforward, utilitarian structure with single-storey shapes where applicable and minimal detailing. Numerals follow the same compressed, upright-in-its-skeleton but oblique-in-posture rhythm, maintaining consistent mass and tight spacing.
Best suited to large-scale typography where impact and speed matter: headlines, posters, sports and event graphics, bold packaging callouts, and attention-grabbing signage. It can also work for short subheads and labels when you want a compact, forceful voice, but it’s less comfortable for long passages due to its dense, condensed texture.
The overall tone is fast and assertive, with a compressed, forward-leaning stance that suggests motion and urgency. Its dense black presence feels bold and no-nonsense, leaning toward athletic, industrial, and headline-driven aesthetics rather than conversational text.
Likely designed to deliver maximum punch in minimal horizontal space, combining condensed proportions with a dynamic slant for a sense of momentum. The rounded-rect geometry suggests an intention toward modern, manufactured clarity while staying expressive enough for display typography.
The superelliptical rounding gives the type a slightly engineered, molded quality—more like stamped signage than calligraphic italic. In continuous setting it creates a strong vertical cadence and a noticeably narrow word shape, which amplifies impact but benefits from generous line spacing in longer blocks.