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Free for Commercial Use

Sans Normal Okmas 9 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Helvetica', 'Helvetica Hebrew', 'Helvetica Thai', and 'Helvetica World' by Linotype; 'H Central' by MacCampus; and 'Nimbus Sans Chinese Simplified', 'Nimbus Sans Japanese', and 'Nimbus Sans Thai' by URW Type Foundry (names referenced only for comparison).

Keywords: branding, ui labels, signage, headlines, packaging, modern, direct, friendly, functional, confident, legibility, modernity, clarity, versatility, impact, geometric, clean, solid, open, high-clarity.


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A solid, geometric sans with broad, even strokes and smooth round bowls. Curves are built from near-circular forms, while joins and terminals are clean and mostly squared, giving the design a crisp, engineered feel. Counters are generally open and generous, and spacing reads steady and practical. The uppercase shows simple, structured shapes with straight-sided forms and balanced proportions, while the lowercase keeps single-storey a and g and maintains a straightforward, contemporary rhythm.

This font is well suited to contemporary branding, product packaging, and signage where strong shapes and quick legibility matter. It also works well for interface labels and dashboard-style typography, and can carry short to medium headlines effectively, especially where a clean, modern voice is desired.

The overall tone is modern and no-nonsense, with a friendly undercurrent from the round construction and open counters. It feels confident and utilitarian rather than decorative, suitable for clear messaging that needs to read quickly and hold up at a range of sizes.

The design appears intended to deliver a straightforward geometric sans voice with strong presence and high legibility, prioritizing clean construction, open counters, and a consistent, modern rhythm for everyday communication and display-forward applications.

Numerals follow the same geometric logic as the letters, with rounded figures and consistent weight, supporting a cohesive typographic color. Diacritics and punctuation aren’t shown here, but the displayed glyph set suggests an emphasis on clarity and uniformity over stylized quirks.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸