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Free for Commercial Use

Sans Superellipse Ofgeh 2 is a bold, normal width, low contrast, upright, tall x-height, monospaced font visually similar to 'Chamelton' by Alex Khoroshok, 'Nomenclatur Mono' by Aronetiv, 'Mono Spec' by Halbfett, 'Trade Gothic Display' by Monotype, and 'Gineso Titling' by insigne (names referenced only for comparison).

Keywords: ui labels, packaging, posters, signage, wayfinding, industrial, retro, utilitarian, friendly, systematic, legible, rugged, neutral, rounded, blocky, soft corners, compact.


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A heavy, monoline sans with rounded-rectangle construction and consistently softened corners throughout. Strokes stay even and dense, with squared terminals that are slightly radiused, producing a sturdy, engineered rhythm. Counters are compact and largely rectangular, and curves resolve as broad superellipse-like bowls rather than true circles. Overall proportions feel tall and efficient, with straightforward, highly uniform letterforms and a strong, consistent texture in lines of text.

Works well anywhere a compact, high-impact voice is needed: interface labels, dashboards, product labeling, and technical or industrial branding. Its sturdy texture also suits posters and headings where a rounded, blocky sans can deliver presence without ornament. In longer settings, the consistent rhythm supports clear scanning and structured layouts.

The tone is practical and matter-of-fact, with a subtle retro-tech warmth from its rounded, blocky geometry. It reads as dependable and no-nonsense, like labeling and instrumentation, while the softened corners keep it approachable rather than harsh. The overall impression is confident and industrial without becoming cold.

The design appears intended to deliver strong legibility and a cohesive, systematized look built from rounded-rectilinear shapes. It prioritizes uniform stroke weight, consistent corner treatment, and a robust text color to perform reliably in functional typography contexts.

Round forms (such as bowls and numerals) lean toward squarish, softened geometry, which helps maintain a consistent, grid-like silhouette across the set. The punctuation and figures match the same sturdy construction, supporting an even, sign-like color in paragraphs. The design favors clarity and uniformity over delicate detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸