Print Uflel 3 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: headlines, posters, packaging, social media, greeting cards, playful, casual, whimsical, handmade, friendly, handmade warmth, informal emphasis, playful branding, expressive display, brushy, calligraphic, lively, bouncy, rounded.
A lively, hand-drawn print face with a brush-pen feel and pronounced stroke modulation. Letterforms lean forward with a springy rhythm, mixing rounded bowls and tapered terminals with occasional sharp joins. Proportions are compact and narrow, with tall ascenders/descenders and a comparatively small lowercase body, creating an energetic vertical cadence. The overall texture alternates between bold downstrokes and thin hairlines, with intentionally imperfect curves and slightly varied widths that enhance the handmade character.
Best suited for short to medium-length display text where a casual, handcrafted voice is desired—such as posters, social graphics, packaging callouts, greeting cards, and inviting brand headlines. It can work for brief blurbs or captions, but its expressive contrast and narrow proportions favor larger sizes and generous spacing.
The font reads upbeat and personable, like quick marker lettering for notes, packaging, or playful headlines. Its bouncy slant and high-contrast strokes give it a spirited, slightly whimsical tone while staying legible and approachable.
The design appears intended to mimic quick, confident brush lettering in an unconnected print style, balancing spontaneity with readability. Its high-contrast strokes and forward lean aim to add motion and charm, making everyday messages feel more personal and animated.
Caps skew toward simplified, handwritten capitals with a few quirky shapes that stand out in display settings, while the lowercase maintains a consistent informal print flow. Numerals share the same brushy contrast and forward movement, helping mixed text feel cohesive. The texture becomes more expressive at larger sizes, where the tapered strokes and ink-like thick–thin transitions are most apparent.