Sans Other Jifa 5 is a bold, wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, game ui, branding, sports, futuristic, techno, gaming, industrial, aggressive, display impact, tech identity, sci-fi tone, brand distinctiveness, mechanical geometry, angular, faceted, chamfered, stencil-like, geometric.
A heavy, geometric sans built from straight strokes and sharp, chamfered corners, with minimal curvature and a distinctly faceted silhouette. Counters are tight and often triangular or trapezoidal, and several joins are cut away to create notches that read as stencil-like breaks rather than smooth connections. Terminals are predominantly flat and squared off, with occasional diagonal cuts that emphasize a forward-leaning, engineered rhythm. The lowercase echoes the caps closely, producing a compact, uniform texture with small apertures and a controlled, modular feel; numerals follow the same angular construction for consistent color in mixed settings.
Best suited to display sizes where the angular details and cut-in joints remain clear, such as headlines, posters, esports and gaming interfaces, sci-fi or industrial branding, and punchy packaging or event graphics. It can work for short UI labels or navigation where a bold, technical voice is desired, but extended paragraphs may feel dense due to the compact interior spaces.
The overall tone is assertive and high-tech, with a sci-fi and arcade sensibility driven by hard angles, cut-ins, and shield-like bowls. Its crisp, mechanical geometry suggests speed, armor, and machinery, lending an energetic, slightly combative character to headlines.
The letterforms appear designed to deliver a strong, futuristic display voice by combining modular geometry with strategic notches and chamfers that imply constructed, armored shapes. The consistent angular language across caps, lowercase, and numerals suggests an intention for cohesive headline typography and branding where a distinctive techno identity is central.
The design’s distinctive identity comes from recurring corner chamfers and interior cutouts that create a segmented look, especially noticeable in rounded forms like C/O/Q and in diagonally constructed letters like K, X, and Z. The texture stays visually steady across the sample text, but the small apertures and tight counters make it read best when given room to breathe.