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Inline Tudu 15 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, packaging, signage, branding, circus, vintage, theatrical, playful, spooky, ornamentation, nostalgia, attention, headline impact, handcrafted feel, decorative, display, whimsical, ornate, outlined.


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A decorative display face built from heavy, sculpted letterforms with sharp wedge serifs and lively, irregular contours. The strokes read as solid black shapes interrupted by a narrow inner linework that creates a carved, inline highlight and occasional small cut-ins, producing a dimensional, poster-like effect. Curves are rounded but not smooth—many terminals taper to points or flare, and bowls and counters feel slightly pinched for drama. Proportions vary noticeably from glyph to glyph, with bouncy widths, tall ascenders/descenders, and compact interior spaces that emphasize silhouette over text rhythm.

Best suited for short, attention-grabbing settings such as posters, event flyers, signage, packaging titles, and brand marks that want a vintage showbill or carnival feel. The inline detailing rewards larger sizes, where the carved highlights and notches remain clear; at small sizes the decorative interior lines may visually merge.

The overall tone is showy and theatrical, evoking old poster lettering and fairground signage. Its sharp notches, high drama contrast, and ink-trap-like cuts add a slightly spooky, gothic-tinged whimsy while staying playful rather than severe. The inline highlights reinforce a retro, hand-crafted illusion of depth and spotlighting.

The design appears intended to mimic bold, hand-drawn display lettering with engraved/inline ornamentation, prioritizing character and silhouette over neutrality. Its irregular shaping and carved highlights suggest an aim for nostalgic impact and theatrical flair in titles and identity work.

Uppercase forms tend to feel more chiseled and emblematic, while lowercase introduces more quirky, storybook-like shapes (notably single-storey forms and exaggerated descenders). Numerals follow the same carved treatment and maintain strong personality, making them suitable as design elements rather than neutral text figures. Spacing in the sample text appears intended for headline setting, where the interior detailing remains visible and the irregular silhouettes can breathe.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸