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Free for Commercial Use

Slab Normal Yipa 5 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Kefir' by ROHH, 'Naiche' by Studio Sun, and 'Bogart' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, signage, friendly, retro, punchy, playful, confident, impact, approachability, retro tone, print presence, sturdy clarity, soft serifs, rounded corners, ink trap feel, clubby, chunky.


Free for commercial use
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This typeface uses heavy, compact letterforms with broad, slab-like terminals that read as softened serifs rather than sharp brackets. Strokes are robust and fairly even, with gentle modulation and rounded joins that keep counters open despite the weight. The outlines show a slightly “poured” or cushioned quality: corners are softened, and several joins suggest subtle ink-trap-like notches, giving the face a practical, print-minded sturdiness. Spacing and rhythm feel steady and blocky, with simple, no-nonsense shapes that stay legible at display sizes while maintaining a dense, poster-ready texture.

Best suited to headlines, posters, packaging, and signage where a dense, high-impact word shape is desired. It can also work well for logos and brand marks that want a sturdy, retro-leaning slab impression, and for short editorial callouts where emphasis and warmth are priorities.

The overall tone is warm and approachable, with a vintage, sign-painting/letterpress flavor. Its heavy presence feels assertive and attention-getting, but the softened terminals keep it from becoming harsh, lending a friendly, slightly whimsical character suited to bold messaging.

The design appears aimed at delivering a dependable, highly readable slab presence with softened, friendly details. It balances straightforward construction with rounded terminals and subtle join shaping to create a bold display voice that still feels approachable and print-savvy.

The numerals and punctuation carry the same rounded, slabbed treatment, helping headings and short lines maintain a consistent, chunky color. In longer sample text, the strong weight creates a dark typographic mass, making it better for display and emphatic passages than for extended small-size reading.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸