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Free for Commercial Use

Sans Other Uhge 1 is a light, very narrow, low contrast, italic, tall x-height font visually similar to 'Shtozer' by Pepper Type (names referenced only for comparison).

Keywords: headlines, posters, branding, sports graphics, tech ui, technical, futuristic, sporty, condensed, angular, speed cue, tech aesthetic, display impact, geometric system, monoline, chamfered, oblique, mechanical, streamlined.


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A sharply drawn oblique sans with monoline strokes and a tightly engineered, angular construction. Corners are consistently chamfered rather than rounded, giving many forms a faceted, polygonal feel (notably in bowls and counters). Proportions run tall and compressed, with narrow apertures and compact interior spaces, while the overall rhythm stays clean and even across uppercase, lowercase, and numerals. Curves are reduced to straight segments and gentle bends, reinforcing a geometric, schematic look.

Best suited for short-form display applications where its condensed, angular silhouette can read as intentional: headlines, posters, packaging/branding accents, and sports or motorsport-style graphics. It can also work for interface labels or dashboards when set at adequate size and with comfortable tracking to preserve clarity.

The font conveys a technical, forward-leaning tone—more instrument-panel than editorial. Its slanted stance and crisp, cut corners suggest speed and precision, reading as modern and slightly sci‑fi without becoming decorative. Overall it feels energetic and utilitarian, suited to contexts that want a sleek, engineered voice.

This design appears intended to deliver a streamlined, high-speed sans voice through oblique posture and chamfered geometry, prioritizing a cohesive technical aesthetic over conventional text comfort. The consistent faceting and monoline build suggest a focus on modern display typography that pairs well with industrial or futuristic visual systems.

Distinctive details include squared, segmented bowls and counters, minimal modulation, and a consistent use of angled terminals that visually unify disparate shapes. Numerals follow the same condensed, faceted logic, aligning well with the uppercase for display settings. The narrow openings and sharp joins give it strong personality but can make small-size text feel tight if spacing is not generous.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸