Sans Normal Anmil 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Apercu', 'Apercu Arabic', and 'Apercu Thai' by Colophon Foundry; 'Rokiest' by Fitrah Type; 'Nanami' by HyperFluro; 'Basecoat' by Jonathan Ball; and 'Avenis' by Maikohatta (names referenced only for comparison).
Keywords: headlines, ui, signage, branding, posters, modern, friendly, clean, confident, approachable, clarity, modern neutrality, geometric simplicity, legibility, geometric, rounded, open, crisp, high-contrast (ink vs. x.
This typeface is a solid, geometric sans with smooth, rounded curves and clean, straight terminals. Strokes maintain an even weight throughout, producing a calm, consistent texture. Counters are generally open and circular, with generous interior space in letters like O, D, P, and e, supporting clarity at larger sizes. The lowercase shows simple, single-storey constructions (notably a and g) and a compact, functional rhythm, while capitals are broad and stable with minimal modulation. Numerals follow the same sturdy, simplified geometry, with wide forms and clear silhouettes.
It works especially well for headlines, short statements, and display copy where its sturdy geometry and open counters remain clear. The clean, uncomplicated forms also suit interface labels, navigation, and signage-style applications that benefit from quick recognition. For branding, it supports a modern, approachable identity without drawing attention through stylistic quirks.
The overall tone is contemporary and straightforward, balancing a friendly roundness with a strong, no-nonsense presence. It feels neutral and practical rather than expressive, lending a dependable, modern voice that stays out of the way while still looking confident.
The design appears intended as a versatile geometric sans that prioritizes clarity, consistency, and a contemporary look. Its rounded construction and open shapes suggest a focus on legibility and an approachable tone for general-purpose modern communication.
Round shapes dominate the design, giving the alphabet a cohesive, engineered feel. The lowercase punctuation and diacritics shown (such as dots on i/j) read as simple and utilitarian, matching the restrained character of the letterforms.