Sans Normal Opnor 10 is a bold, wide, medium contrast, upright, normal x-height font visually similar to 'City Boys' by Dharma Type, 'FS Siena' by Fontsmith, 'ITC Stone Sans II' by ITC, 'Dialog' by Linotype, 'Skeena' by Microsoft Corporation, 'Cora' by TypeTogether, and 'Le Monde Sans Std' by Typofonderie (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, modern, direct, friendly, robust, impact, clarity, modernity, neutral branding, display strength, geometric, clean, compact, high-impact, crisp.
This typeface is a solid, geometric sans with strongly filled strokes and clean, unmodulated terminals. Curves are smooth and broadly circular, while straight strokes keep a firm, engineered feel; joins are tight and corners are minimally rounded for a crisp silhouette. Counters are relatively compact (notably in B, P, R, a, e), and the overall proportions favor generous width with stable, even spacing. The lowercase shows a single-storey a and g, a short-armed t, and a straightforward, contemporary construction across the set; figures are similarly sturdy with open, legible forms.
It performs best in display contexts where bold presence and clean geometry are desirable, such as headlines, posters, brand marks, packaging, and signage. It can also work for short UI labels or callouts when ample spacing is available to keep the heavy text color from feeling crowded.
The overall tone is confident and contemporary, prioritizing clarity and impact over delicacy. Its sturdy shapes and minimal detailing feel practical and assertive, with a friendly neutrality that suits modern branding and interface-forward design.
The design appears intended as a modern, high-impact sans that stays simple and highly legible through geometric construction and restrained detailing. It aims to deliver a dependable, contemporary voice suitable for brand-forward communication and prominent typographic hierarchy.
In text, the weight produces strong color on the page and clear word shapes at larger sizes, while the compact apertures and dense counters suggest it will feel most comfortable when given adequate tracking and line spacing. Round letters (O, Q, o) read smooth and even, and diagonals (V, W, X, Y) maintain consistent stroke presence without appearing spindly.