Sans Faceted Ilny 3 is a regular weight, narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, techno, futuristic, geometric, digital, mechanical, sci-fi styling, geometric system, signage voice, display impact, angular, faceted, polygonal, chamfered, monolinear.
A crisp, monoline construction built from straight strokes and sharp angles, with corners consistently chamfered into small facets rather than rounded curves. Counters and bowls resolve into polygonal forms (notably in C, O, Q, 0, 8), giving the alphabet a cut-metal, schematic feel. Proportions run slightly condensed with generous spacing and a clean baseline rhythm; terminals are mostly blunt and squared, while diagonals are used sparingly and kept steep and precise. Overall contrast is minimal and stroke joins are disciplined, producing a tidy, engineered texture in text.
Best suited to display roles where the angular detailing can be appreciated: headlines, posters, branding marks, packaging, and short UI or product labels. It can also work for signage-style applications or technical titling where a distinctive geometric voice is preferred over neutral text typography.
The faceted geometry and restrained stroke logic evoke a futuristic, technical tone—like labeling on equipment, UI readouts, or science-fiction signage. Its angular cuts read as deliberate and systematic, lending a modern, synthetic character rather than a warm or humanist one.
The font appears designed to translate a sans structure into an angular, faceted system, replacing curves with planar cuts while keeping stroke weight even and forms recognizable. The goal seems to be a cohesive techno display style that remains readable in short passages and mixed-case settings.
The design maintains strong internal consistency through repeated chamfer angles and simplified construction, which helps it stay legible despite the stylization. Numerals match the same polygonal logic and feel integrated, suitable for mixed alphanumeric settings where a cohesive, “instrument” aesthetic is desired.