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Free for Commercial Use

Solid Boki 3 is a light, narrow, medium contrast, italic, normal x-height font.

Keywords: headlines, posters, logos, titles, gaming, futuristic, edgy, techno, angular, mechanical, impact, thematic, experimentation, sci-fi styling, branding, octagonal, faceted, chiseled, wireframe, stenciled.


Free for commercial use
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A sharply slanted display face built from straight segments and clipped corners, with an overall faceted, octagonal construction. Strokes alternate between thin, wirelike outlines and heavy, inked-in segments, producing a rhythmic mix of open contour letters and solid, collapsed counters. Terminals are abrupt and geometric, with frequent chamfers and small notches that emphasize a constructed, modular feel. Spacing and widths vary noticeably across the set, and the figures and capitals share the same angular, cut-metal logic, keeping the design cohesive despite its irregular detailing.

Best suited to short, high-impact settings such as poster headlines, game/UI titles, album or event branding, and logo wordmarks where its angular silhouettes can dominate the page. It can also work for thematic labeling or packaging accents, but it is less appropriate for extended reading or small text due to the collapsed interiors and irregular rhythm.

The font reads as industrial and sci‑fi, with a fast, aggressive motion from the pronounced slant and hard-edged geometry. The mix of outline and filled forms adds a cryptic, engineered tone, suggesting circuitry, armor plating, or technical markings. Overall it feels dramatic and unconventional rather than polite or literary.

The design appears intended as a statement display face that fuses wireframe geometry with bold, filled-in forms to create a distinctive, constructed look. Its emphasis on chamfered silhouettes, slanted momentum, and counter-collapsing shapes suggests a deliberate push toward stylized, high-contrast texture over conventional readability.

Legibility shifts from glyph to glyph because many counters are reduced or fully closed, and several shapes rely on their outer silhouette rather than internal openings. The strongest visual impact comes at larger sizes where the chamfers, notches, and alternating solid/outline treatment can be clearly seen.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸