Sans Superellipse Ukley 15 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: logos, headlines, posters, packaging, app ui, retro, playful, techy, friendly, modular, display impact, retro tech, soft geometry, clarity in counters, rounded, squared, chunky, soft, geometric.
A heavy, geometric sans built from rounded-rectangle and superellipse forms, with broad curves, flat-ish terminals, and consistently softened corners. Strokes are largely uniform, producing a solid, low-detail silhouette that reads as sturdy and compact. Many bowls and counters skew toward squarish ovals, and several joins show subtle ink-trap–like notches that add bite and separation in tight interior spaces. The lowercase is simple and open, with single-storey a and g, a short-armed t, and rounded shoulders that keep the rhythm smooth and modular. Numerals match the blocky, rounded construction, emphasizing squared curves and stable bases.
Best suited to branding, headlines, posters, and packaging where its rounded-rect geometry can set a distinctive voice. It can also work for UI labels, navigation, and short blocks of copy when a friendly, tech-leaning display sans is desired, though its heavy mass is most effective at medium-to-large sizes.
The overall tone feels upbeat and modernist with a distinctly retro-tech flavor—softened, game/UI-like geometry that comes across as friendly rather than clinical. Its chunky forms and notched details give it a slightly mechanical character, suggesting engineered shapes without losing warmth.
Likely designed to translate superellipse geometry into a highly legible display sans: compact, soft-cornered, and visually consistent across glyphs, with small interior notches to keep shapes from filling in and to add character.
Wide radii and squared curves create strong logo-like silhouettes, while the small interior cut-ins help preserve clarity at display sizes where counters might otherwise clog. The face favors simple, iconic letterforms over calligraphic nuance, with a consistent, system-like construction across cases and figures.