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Outline Urry 11 is a very light, normal width, low contrast, upright, tall x-height font.

Keywords: headlines, posters, logotypes, signage, packaging, art deco, retro, architectural, technical, elegant, display impact, retro styling, neon effect, geometric clarity, decorative outline, geometric, monoline, inline, double-line, rounded.


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A geometric outline design built from consistent double-line contours that read like an inline/double-stroke construction rather than a filled letterform. Strokes are extremely thin and evenly weighted, with rounded bowls and corners that keep curves smooth and continuous. Proportions are clean and modernist: circular O/Q shapes, a single-storey a and g, and simplified joins that avoid sharp contrast or calligraphic modulation. The overall rhythm is airy and open, with generous internal counters and a crisp, schematic silhouette across caps, lowercase, and numerals.

Best suited to display typography where its delicate outlining can be appreciated: headlines, poster titles, brand marks, event graphics, and packaging accents. It also fits signage-inspired layouts and retro-themed identities where a neon/liner aesthetic is desirable, especially on high-contrast backgrounds.

The font conveys a classic Art Deco and early-modern signage feel—sleek, stylized, and slightly theatrical—while staying restrained and precise. Its hollow, double-line construction lends a neon-tube or architectural drafting impression that feels sophisticated and retro without becoming ornate.

The design appears intended as a stylized geometric display face that translates simple sans-serif construction into a decorative outline treatment. Its consistent double contouring suggests a focus on giving modern letterforms a period-evocative, linear “built” look for eye-catching titles and branding.

Because the forms are purely outlined, visual density depends heavily on size and background contrast; at smaller sizes the fine contours can visually thin out and lose definition. At display sizes, the double-line detailing becomes the defining character and adds a refined, engineered texture to words and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸