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Serif Forked/Spurred Rina 1 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Futura EF' by Elsner+Flake, 'Futura Now' by Monotype, 'Futura ND' by Neufville Digital, 'Futura PT' by ParaType, 'Architype Renner' by The Foundry, 'Futura TS' by TypeShop Collection, and 'Metra Serif' by Wiescher Design (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, branding, vintage, dramatic, ornate, old-timey, storybook, display impact, period flavor, ornamental texture, handcrafted feel, bracketed, spurred, engraved, calligraphic, inked.


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A heavy, high-contrast serif with compact proportions and a lively, inked silhouette. Stems and bowls are robust, while transitions into serifs are sharply bracketed and frequently end in forked, spurred, or notched terminals that create a carved, chiseled feel. The overall rhythm is assertive and slightly irregular in edge detail—more like stamped or engraved letterforms than a clean modern book face—yet it remains structurally consistent across caps, lowercase, and figures. Counters are relatively tight and apertures tend toward closed, reinforcing the dense, poster-ready color.

Best suited for display typography such as headlines, poster titles, packaging, and identity work where the ornate terminals can read clearly. It can also work for short passages or pull quotes when a dense, vintage texture is desired, though the tight counters and strong detailing favor larger sizes and generous spacing.

The font conveys a theatrical, vintage tone with a hint of Victorian poster craft and folk-print ornament. Its spurs and cut-in corners add tension and flair, giving text a dramatic, slightly mischievous personality that feels at home in period-themed or narrative contexts.

The design appears intended to reinterpret classic serif construction with decorative forked terminals and engraved-like cuts, producing a bold, characterful texture that feels historical and handcrafted. It prioritizes personality and impact over neutrality, aiming to add instant period flavor to titles and branding.

The forked terminals and mid-stem nicks become more noticeable at display sizes, where the internal cuts read as deliberate decoration rather than texture. Numerals share the same carved serif language, keeping headlines and set-piece typography visually unified.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸