Inline Pama 2 is a bold, normal width, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, invitations, art deco, glamorous, theatrical, whimsical, vintage, display impact, decorative branding, vintage flair, ornamental elegance, ornate, decorative, swashy, monoline accents, sculpted forms.
A decorative display face built from hefty, sculptural letterforms that are split by a thin interior inline, creating a carved, two-tone effect. The design leans on geometric bowls and tall vertical stems, with frequent teardrop terminals, curled hooks, and occasional looped details that read like filigree attached to otherwise solid shapes. Contrast is driven by the interplay of dense filled areas against hairline inlines and fine joining strokes, producing a crisp, poster-like rhythm. Spacing and widths are irregular by design, giving the alphabet a lively, hand-styled cadence rather than a strictly modular system.
Best suited for short-form, high-impact settings such as headlines, display typography, logos, event posters, and packaging. It also fits invitations and branding where an upscale, vintage-tinged decorative voice is desired, especially at larger sizes where the inline and delicate curls remain clear.
The overall tone feels Art Deco–leaning and stage-ready, mixing elegance with playful eccentricity. The sharp black-and-white drama reads as glamorous and celebratory, while the curls and loops add a flirtatious, whimsical personality that suits attention-grabbing headlines.
The font appears designed to deliver maximum visual character through a carved inline and ornamental terminals, turning simple letter skeletons into bold, theatrical shapes. Its intent is clearly display-first: to project a stylized, vintage glamour and provide distinctive wordmarks rather than to serve extended reading.
Uppercase forms tend to look more architectural and monolithic, while lowercase introduces more swash-like movement and looped joins. Numerals follow the same showy logic, with several figures using curled terminals that make them feel more like lettering than utilitarian text figures.