Print Pemof 3 is a regular weight, narrow, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, greeting cards, packaging, kids projects, playful, whimsical, friendly, casual, handmade, handmade feel, casual display, cheerful tone, personal voice, brushy, loopy, bouncy, rounded, inky.
This font presents a lively hand-drawn print style with brush-like strokes and pronounced contrast between thick downstrokes and thin connecting strokes. Letterforms are mostly upright with narrow proportions and a bouncy baseline rhythm that varies slightly from glyph to glyph. Terminals are rounded and often tapered, with occasional hooked or looped entry/exit strokes that give the shapes a written feel while remaining unconnected. Counters are generally open and the overall texture alternates between bold, inky masses and fine hairline flicks, creating a spirited, irregular color in text.
It works best for short, expressive text such as headlines, posters, greeting cards, and playful packaging where personality is more important than strict uniformity. The strong stroke contrast and narrow build can also suit social graphics, invitations, and branding accents, especially at medium to large sizes where the delicate hairlines don’t get lost.
The overall tone is cheerful and informal, with a whimsical, storybook energy. Its loopy strokes and uneven rhythm feel approachable and human, suggesting quick marker or brush lettering rather than polished signage. The contrast and occasional exaggerated curves add a touch of theatrical flair without becoming fully script-like.
The design appears intended to emulate casual brush lettering in a clean, printable form—maintaining hand-made irregularities, stroke tapering, and lively proportions while keeping letters separate for easy setting. The goal seems to be an upbeat, characterful display voice that feels personal and crafted rather than mechanical.
Capital letters show varied construction—some with tall, slender verticals and others with soft, rounded bowls—adding to the handmade character. Numerals are similarly freeform, with noticeable stroke modulation and distinctive, slightly quirky silhouettes that read best when given room.