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Free for Commercial Use

Outline Tyte 5 is a very light, narrow, low contrast, italic, normal x-height font.

Keywords: headlines, logos, packaging, invitations, posters, elegant, airy, refined, vintage, decorative, display emphasis, elegant branding, lightweight look, vintage accent, monoline, outlined, hairline, delicate, calligraphic.


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A hairline, outlined italic with a consistent double-contour construction that leaves the counters open and the stroke interiors unfilled. The letterforms are gently compressed with tall proportions and a steady rightward slant, producing a light, continuous rhythm across words. Serifs are small and bracketed, with softly tapered terminals and occasional teardrop-like finishing touches; curves are smooth and drawn with even, monoline-like outlines rather than strong thick–thin modulation. Numerals and capitals follow the same restrained outline logic, keeping the texture bright and minimal.

Best suited for display settings such as headlines, branding marks, packaging titles, invitations, and editorial pull quotes where the outline effect can be appreciated. It works well over uncluttered backgrounds and in large sizes, and can add a premium, vintage-leaning accent to short phrases. For long-form text or small UI sizes, the extremely light outline texture may reduce legibility.

The overall tone is elegant and airy, leaning toward classic display typography with a subtle engraved or sign-painting flavor. Its light touch and open interiors feel refined and slightly theatrical, suggesting sophistication rather than utility. The italic motion adds a sense of speed and flourish without becoming overly ornamental.

The design appears intended to provide an elegant italic voice with an outline-only construction for a distinctive, lightweight display presence. It prioritizes graceful silhouettes, consistent contour drawing, and a refined rhythm over dense text color. The result is a decorative serif italic meant to add sophistication and visual lift to prominent typography.

Because the design relies on thin contours and open interiors, the perceived weight depends strongly on size and reproduction method; it reads clearest when given generous scale and contrast against the background. The consistent outline treatment gives headlines a cohesive, glassy presence, while dense paragraphs may appear pale due to the minimal ink coverage.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸