Script Ulmy 5 is a regular weight, very narrow, high contrast, upright, short x-height font.
Keywords: headlines, invitations, greeting cards, packaging, branding, whimsical, vintage, storybook, playful, charming, decoration, handcrafted feel, vintage flair, expressive caps, playful tone, brushy, looped, swashy, calligraphic, bouncy.
A decorative script with a brush-pen feel, built from tall, narrow letterforms and pronounced stroke contrast. Strokes taper into pointed terminals and teardrop-like endings, with frequent loops and small curls that add ornament without becoming overly dense. Capitals are especially expressive, featuring swashy entry strokes and rounded bowls, while lowercase forms keep a lively, slightly bouncy rhythm with compact counters and a relatively modest x-height. Numerals follow the same calligraphic logic, with curved strokes and occasional flourished tops or tails that keep the set visually consistent.
Best suited for short display settings such as headlines, product names, invitations, greeting cards, and boutique branding where the flourishes can be appreciated. It can also work on packaging and labels—especially in larger sizes—where a handcrafted, decorative tone is desired.
The overall tone is whimsical and nostalgic, evoking handmade lettering used for invitations, confectionery labels, and storybook titling. Its flourishes and contrast give it a festive, slightly theatrical personality that feels warm and personable rather than formal or corporate.
The letterforms appear designed to simulate confident brush calligraphy with an emphasis on narrow, tall proportions and ornamental swashes. The consistent contrast and recurring curled terminals suggest an intention to deliver a distinctive, decorative script look that remains readable in brief phrases while feeling handmade and celebratory.
The design leans on verticality and tight spacing, so the texture becomes dense quickly in long runs; the most distinctive character comes through in caps, ascenders/descenders, and punctuation-like curls. The connected-script impression is present, but many letters read clearly as individually formed shapes with calligraphic joins suggested more by stroke flow than by continuous connections.