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Free for Commercial Use

Sans Normal Mugug 5 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'BR Nebula' by Brink, 'Meutas' and 'Meutas Soft' by Trustha, 'TT Norms Pro' by TypeType, and 'Eastman Grotesque' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, packaging, logos, branding, playful, punchy, friendly, retro, cartoonish, attention grabbing, approachability, display impact, brand character, rounded, soft corners, chunky, compact counters, heavy terminals.


Free for commercial use
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This typeface is built from chunky, rounded forms with heavy strokes and soft cornering throughout. Curves are generous and circular, while joins and terminals stay blunt and full, creating a compact, high-ink silhouette. Counters are relatively small for the weight, and apertures tend to be narrowed, which makes letters like C, S, and e feel tight and dense. The overall rhythm is big and blocky with a stable baseline and clear, simple geometry that favors bold shapes over fine detail.

It performs best where bold, friendly impact is needed—headlines, posters, title cards, and short bursts of text. The weight and rounded geometry also suit packaging and branding applications that benefit from a cheerful, approachable tone. For extended reading, it’s better used sparingly or with generous size and spacing to avoid a heavy text color.

The font reads as upbeat and approachable, with a toy-like, poster-friendly energy. Its rounded mass and compact internal spaces give it a confident, attention-grabbing tone that feels casual rather than formal. The overall impression leans retro and fun, suited to expressive, personality-forward design.

The design appears intended to deliver maximum visual presence with a soft, inviting character. By emphasizing rounded geometry, blunt terminals, and compact counters, it aims for legibility at large sizes while projecting a playful, contemporary-retro personality.

The uppercase has a strong, geometric presence with broad proportions, while the lowercase maintains the same heavy, rounded construction for a consistent voice across cases. Numerals are similarly weighty and simple, prioritizing impact and clarity at display sizes. In long lines of text, the dense counters and tight openings can make the texture feel solid and dark, reinforcing its best use as a headline style.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸