Print Heris 3 is a very bold, normal width, medium contrast, reverse italic, normal x-height font.
Keywords: posters, headlines, logos, album covers, stickers, playful, rebellious, rowdy, retro, handmade, expressiveness, impact, handmade feel, attitude, chunky, spiky, angular, tapered, cartoonish.
A chunky, hand-drawn print style with heavy, ink-like strokes and lively irregularity from glyph to glyph. Forms are slightly back-slanted overall, with angular corners, spiky terminals, and occasional wedge-like cut-ins that suggest a quick marker or brush under firm pressure. Curves are compact and often faceted rather than smooth, and counters tend to be small, creating a dense, high-impact texture in words. Spacing and widths vary noticeably, reinforcing an energetic, handmade rhythm while keeping a consistent cap height and sturdy baseline presence.
Best suited to posters, punchy headlines, packaging callouts, and logo or wordmark concepts that benefit from a bold, handmade edge. It also fits music and nightlife graphics, comic or game titling, and merchandise such as stickers and tees where high contrast and personality matter more than long-form readability.
The font conveys a mischievous, loud, and informal tone—more street-poster and cartoon title than refined calligraphy. Its jagged edges and exaggerated shapes feel expressive and a bit unruly, lending a sense of motion and attitude even in short phrases.
The design appears intended to deliver maximum impact with an intentionally imperfect, hand-rendered voice—combining bold mass with jagged, expressive terminals to create a distinctive display texture. Its consistent heft and lively variation suggest a focus on personality and immediacy rather than typographic neutrality.
The uppercase set reads more emblematic and display-forward, while the lowercase keeps the same chunky construction with simplified joins and single-story forms where expected. Numerals follow the same angular, cut-paper silhouette, staying bold and attention-grabbing. In paragraphs, the dense color and sharp terminals can become visually busy, so it favors shorter lines and larger sizes.