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Free for Commercial Use

Solid Tema 5 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'ATF Railroad Gothic' by ATF Collection, 'Chamelton' by Alex Khoroshok, 'Fattty' by Drawwwn, 'Mr Dum Dum' by Hipopotam Studio, 'Galpon Pro' by RodrigoTypo, and 'Primal' by Zeptonn (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, stickers, chunky, playful, quirky, retro, cartoon, attention grab, graphic texture, retro flavor, playful branding, cutout look, blocky, soft corners, compact, top-heavy, ink-trap-like.


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A heavy, compact display face built from chunky, near-monoline strokes with softened corners and frequent chamfered notches. Curves are simplified into stout bowls and ovals, while joins and terminals often break into angular cuts that create a slightly irregular, cutout silhouette. Counters tend to collapse or pinch down into small wedge-like openings, giving many letters a solid, plugged-in look. The rhythm is tight and dense, with broad vertical stems, minimal interior detail, and bold punctuation-like notches that add texture across the set.

Best suited for short, high-impact display use: posters, headlines, packaging callouts, logo wordmarks, and playful merchandising or sticker-style graphics. It can work for brief phrases in social graphics or titles, but its dense color and plugged counters make it less appropriate for long-form reading or small UI text.

The overall tone is loud and comic, with a toy-like sturdiness and a slightly mischievous, handmade feel. Its chunky silhouettes and blocked counters read as attention-grabbing and informal, leaning toward retro signage and playful branding rather than sober editorial typography.

The design appears intended to maximize visual mass and immediacy while injecting personality through irregular notches and intentionally reduced counters. It prioritizes silhouette recognition and bold graphic texture over typographic neutrality, aiming for a fun, standout display voice.

In text settings the dark color builds quickly, so spacing and line breaks will matter to avoid a continuous black band. The distinctive notched terminals and collapsed counters become key identifiers at larger sizes, where the face reads more like a graphic shape system than conventional letterforms.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸