Sans Superellipse Olbah 14 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Belle Sans' by Park Street Studio, and 'Pulse JP' and 'Pulse JP Arabic' by jpFonts (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, utilitarian, friendly, confident, contemporary, impact, clarity, compactness, modernity, approachability, blocky, rounded corners, soft terminals, compact, monolinear.
A compact, heavy-weight sans with rounded-rectangle geometry and softly squared curves. Strokes are largely monolinear, with broad verticals and minimal modulation, creating an even, sturdy texture. Corners are consistently rounded rather than sharply cut, and many curves resolve into flattened, superellipse-like bowls that feel engineered. Counters are moderately tight for the weight, and proportions lean condensed, giving words a dense, efficient rhythm while remaining clear at display sizes.
This style performs best in headlines and short blocks of text where a dense, high-impact texture is desirable. It suits packaging, signage, and branding applications that benefit from a sturdy, engineered look with approachable rounding. Numerals are visually strong, making it useful for labels, product names, and display settings that mix letters and numbers.
The overall tone is practical and modern, balancing a no-nonsense, industrial sturdiness with a mild friendliness from the rounded corners. It reads as confident and straightforward, with a slightly retro sign-paint/label vibe tempered by clean construction.
The design intent appears to be a robust, compact display sans built from rounded-rectangle forms, aiming for high impact and consistent rhythm while keeping edges friendly through softened corners. It prioritizes clarity and presence over delicacy, making it suitable for modern, utilitarian typography.
Uppercase forms are tall and compact, with squared-off curves in letters like C, G, and S that emphasize the superelliptical construction. Lowercase shapes stay simple and sturdy; dots are round and prominent, and the numerals share the same rounded, blocky logic for consistent texture in mixed alphanumeric settings.