Cursive Wofi 1 is a regular weight, very narrow, medium contrast, italic, short x-height font.
Keywords: branding, packaging, posters, invitations, social media, casual, expressive, handmade, playful, friendly, handmade feel, personal tone, expressive display, note-like writing, brushy, looping, bouncy, textured, spontaneous.
A lively, handwritten script with a brush-pen feel and a subtly textured stroke edge. Letterforms are tall and slender with a noticeable slant, alternating between connected cursive joins and occasional breaks that reinforce a natural, written rhythm. Strokes show moderate thick–thin modulation, with tapered entry/exit terminals, long ascenders/descenders, and generous loop shapes in letters like g, y, and z. The overall spacing feels airy and irregular in a controlled way, keeping the line lively while remaining readable in short passages.
Well-suited for branding accents, packaging, posters, and short headline phrases where a human, handcrafted tone is desirable. It also works nicely for invitations, greeting cards, and social media graphics when you want warmth and motion without heavy ornamentation.
The font conveys an informal, personable tone—like quick journaling or a handwritten note—mixing charm and energy with a slightly dramatic flourish. Its looping forms and elastic rhythm give it a playful, expressive voice that feels contemporary and handcrafted rather than formal or calligraphic.
The design appears intended to mimic fast, confident brush handwriting: tall, looping forms, tapered terminals, and an animated rhythm that prioritizes personality and immediacy while keeping letterforms recognizable.
Capitals are relatively simple and upright in construction compared with the more fluid lowercase, helping starts of words stand out without becoming overly ornate. Numerals follow the same handwritten logic, with rounded shapes and tapered ends that match the script’s stroke behavior. The sample text shows a consistent baseline flow and clear word shapes, though the lively joins and narrow proportions make it most comfortable at display-to-subhead sizes rather than dense paragraphs.