Sans Superellipse Finuz 3 is a very bold, very wide, low contrast, italic, tall x-height font visually similar to 'FX Ambasans' by Differentialtype, 'Sauro' by Stefano Giliberti, 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat, and 'Hyperspace Race' by Swell Type (names referenced only for comparison).
Keywords: sports branding, racing visuals, tech branding, gaming ui, headlines, futuristic, sporty, technical, aggressive, dynamic, speed cue, modernization, impact, branding, display focus, oblique, extended, rounded corners, squared curves, aerodynamic.
A heavy, oblique sans with extended proportions and a superelliptical construction: curves resolve into rounded-rectangle forms rather than perfect circles. Strokes are monolinear and dense, with broad, flat terminals and consistently softened corners. Counters are compact and often rectangular, and joins are crisp, producing a streamlined, engineered rhythm. The lowercase shows a tall x-height with short ascenders/descenders, keeping word shapes low and fast while maintaining strong horizontal momentum.
This font is best suited to display roles where impact and motion matter: sports identities, motorsport/racing graphics, gaming titles and interfaces, and tech-forward branding. It works well for short headlines, logos, badges, and promotional copy where the strong slant and compact counters can be leveraged at larger sizes.
The overall tone is fast, futuristic, and performance-driven, with a confident, assertive presence. Its italic slant and aerodynamic shaping suggest speed and motion, while the squared curves keep it feeling technical and modern rather than friendly.
The design appears intended to combine high-impact weight with a streamlined, speed-inspired silhouette. By using superelliptical curves and broad terminals, it aims to feel modern and engineered—optimized for bold branding and energetic display typography rather than quiet, text-first reading.
Several glyphs emphasize directional cuts and horizontal bias (notably in diagonals and angled terminals), reinforcing a forward-leaning, kinetic texture in text. The numerals follow the same rounded-rectangle logic, reading as sturdy and display-oriented at a glance.