Sans Superellipse Vakif 6 is a regular weight, very wide, low contrast, upright, tall x-height font.
Keywords: ui labels, signage, tech branding, headlines, product design, futuristic, technical, clean, digital, minimal, modernization, systematization, tech aesthetic, clarity, brand distinctiveness, rounded corners, geometric, modular, monoline, extended.
A geometric, monoline sans built from rounded-rectangle and superellipse shapes. Strokes are consistently even, with squared terminals softened by generous corner radii, producing a tidy, modular rhythm. Counters tend toward rectangular ovals, and joins are crisp and engineered, with diagonals kept straight and clean. Proportions are expanded horizontally, giving letters a stable, platform-like stance; lowercase forms remain compact and legible, with simple, open constructions and minimal stroke modulation. Numerals follow the same rounded-corner logic, emphasizing clear, rectilinear silhouettes.
Well suited to user interfaces, dashboards, and product surfaces where clarity and a technical feel are desirable. Its broad proportions and rounded-rect forms also work effectively in headlines, logos, and packaging for electronics or contemporary lifestyle brands. It can function in short text settings when generous spacing and clean, high-contrast rendering are available.
The overall tone feels modern and tech-forward, like interface typography or industrial labeling. Its rounded geometry softens the mechanical structure, balancing precision with approachability. The consistent construction and wide footprint create a calm, controlled voice that reads as contemporary and functional.
This font appears designed to translate superellipse geometry into a practical sans for modern environments, prioritizing consistency, clarity, and a distinctive rounded-rect identity. The goal seems to be a recognizable “digital-industrial” voice that remains clean and readable while signaling contemporary technology aesthetics.
The design language is especially coherent across curves and corners: bowls, apertures, and terminals share the same radius logic, making words look smoothly “machined.” The wide set and squared curves produce strong shapes at display sizes, while the restrained detailing keeps texture even in short passages.