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Stencil Sopa 5 is a very bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Finalia DT Condensed' by DTP Types, 'OL Contact Classic' by Dennis Ortiz-Lopez, 'Neo Contact' by Linotype, 'MC Ringlock' by Maulana Creative, 'Colonel Serial' by SoftMaker, 'TS Colonel' by TypeShop Collection, and 'Neo Contact' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, vintage, authoritative, rugged, poster-like, impact, stencil utility, industrial marking, retro display, space-saving, slab serif, blocky, high impact, condensed, stenciled.


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A condensed, heavy slab-serif design with pronounced stencil breaks that create clear bridges through stems and bowls. Letterforms are built from broad, straight-sided strokes with blunt terminals and minimal curvature, producing a compact, vertical rhythm. Counters are relatively tight and the overall color is dense, while the stencil cut-ins add sharp negative shapes that keep large sizes from feeling overly solid. Numerals and capitals appear especially robust and display-oriented, with consistent, mechanical breaks across the set.

Works best for headlines, posters, and branding where a strong industrial or retro-stencil voice is desired. It’s well suited to signage, labels, packaging, and logo wordmarks, particularly at medium-to-large sizes where the stencil bridges read crisply.

The stencil construction and bold, blocky slabs evoke an industrial and utilitarian tone, like markings on crates, equipment, or signage. At the same time, the serif structure and condensed proportions lend a vintage, poster-era authority that reads as assertive and no-nonsense.

The design appears intended to deliver maximum impact in a condensed footprint while maintaining a clear stencil identity for applications that reference physical marking, cutting, or spray-painted lettering. The sturdy slab serifs and consistent breaks suggest a focus on bold display typography with a utilitarian, heritage-leaning character.

The stencil gaps are prominent enough to become part of the graphic identity, creating a patterned texture across words and lines. In continuous text the dense weight and condensed spacing can feel forceful, making it best used where impact matters more than quiet readability.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸