Sans Superellipse Usri 2 is a bold, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, ui display, gaming, futuristic, tech, industrial, digital, sporty, tech aesthetic, display impact, modular geometry, brand voice, rounded corners, squared forms, blocky, compact apertures, geometric.
A geometric sans built from rounded-rectangle and superellipse-like shapes, with broad proportions and a low-to-moderate stroke modulation that reads as mostly monoline. Corners are heavily radiused, counters are squarish, and terminals tend to be blunt with occasional notches and cut-ins that add a mechanical feel. Curves are controlled and boxy rather than circular, and apertures run relatively tight, giving letters a compact, engineered rhythm. Numerals and capitals follow the same rounded-square construction, producing a cohesive, modular texture across lines of text.
Best suited for display settings where its rounded-square geometry can be appreciated—headlines, posters, packaging, and brand marks with a modern tech or sport slant. It can also work for UI titles, dashboards, and game/interface graphics, especially where a robust, high-impact voice is needed.
The overall tone is modern and synthetic, leaning toward sci‑fi interface and industrial signage aesthetics. Its squared curves and sturdy construction feel assertive and performance-oriented, suggesting technology, machinery, and contemporary sport branding rather than warmth or tradition.
The likely intent is a contemporary geometric display sans that prioritizes a superelliptical, rounded-rectangle construction for a distinctive, futuristic silhouette. The added cut-ins and compact apertures appear designed to reinforce a technical, engineered personality while keeping the alphabet visually consistent and modular.
The design emphasizes consistent corner radii and rectangular counters, which makes it feel grid-aware and logo-friendly. Distinctive detailing (such as inset strokes and angular joins) adds character at display sizes, while the tight openings and dense shapes can make long text feel heavy if set too small or too tight.