Sans Superellipse Byleg 3 is a very light, very narrow, low contrast, upright, normal x-height font.
Keywords: headlines, branding, posters, ui, packaging, minimal, futuristic, architectural, precise, elegant, modernity, clarity, sleekness, geometric consistency, distinct silhouette, monoline, rounded corners, condensed, airy, geometric.
This typeface is a monoline sans with tall, condensed proportions and generous vertical emphasis. Letterforms are built from straight stems and rounded-rectangle curves, producing capsule-like arches, softly squared bowls, and clean, open counters. Terminals are consistently rounded, joins are crisp, and the overall rhythm is even and measured, with notably light strokes and ample interior whitespace. The lowercase maintains a straightforward, single-storey construction where applicable (e.g., a), while ascenders and descenders are long and slender, reinforcing the font’s narrow silhouette.
Best suited to large sizes where its fine stroke and condensed structure can remain crisp—such as headlines, logotypes, product branding, and poster titling. It also fits UI or motion-graphics overlays when used with sufficient size and contrast, and can add a sleek, premium tone to packaging and short editorial callouts.
The overall tone feels minimalist and quietly futuristic, with an engineered, architectural calm. Its thin strokes and superelliptical rounding suggest modern interface aesthetics, boutique tech branding, and refined editorial styling rather than expressive or playful display.
The design appears intended to deliver a sleek condensed sans built from superelliptical geometry, prioritizing consistency of rounding, vertical elegance, and a clean monoline voice. It aims for a modern, system-like clarity while retaining a distinctive silhouette through its tall proportions and rounded-rectangle curves.
Curves tend to resolve into flattened, rounded tops and bottoms rather than fully circular arcs, giving an unmistakably “rounded-rectangle” geometry across both letters and numerals. The numerals follow the same tall, linear logic, reading as clean and schematic, with forms like 0 and 8 appearing especially capsule-driven.