Sans Superellipse Agrun 2 is a regular weight, very narrow, low contrast, reverse italic, normal x-height font.
Keywords: posters, headlines, packaging, branding, album art, quirky, handmade, retro, whimsical, offbeat, add personality, retro display, playful tone, handmade feel, compact fit, condensed, upright slant, rounded corners, wobbly baseline, monoline.
A condensed, monoline sans with a consistent reverse-italic slant and softly squared, rounded-rectangle construction in many curves and counters. Strokes stay even with low contrast, while terminals often end in blunt, slightly angled cuts that reinforce the drawn, irregular rhythm. The overall texture is lively and a bit wobbly—curves feel slightly elastic, verticals lean back uniformly, and proportions vary just enough to read as intentionally imperfect rather than mechanical.
Best suited to display settings such as posters, headlines, packaging, and branding where its quirky reverse-lean and condensed forms can carry personality. It can also work for short bursts of text in editorial callouts or playful UI accents, but it’s most effective when given enough size and spacing to keep the lively shapes readable.
The face conveys a quirky, handmade energy with a retro cartoon sensibility. Its narrow, back-leaning stance and bouncy rhythm feel playful and a little mischievous, making it more expressive than neutral.
The design appears intended to offer a playful alternative to standard condensed sans faces by combining a consistent back-slant with rounded-rectangle forms and subtly irregular, hand-cut terminals. It prioritizes character and rhythm over strict typographic neutrality while staying monoline and structurally simple for easy use in bold, graphic applications.
Uppercase and lowercase share a cohesive, condensed silhouette, and the figures echo the same rounded-rect geometry and angled endings, helping text and numerals sit together as a single system. At smaller sizes the tight widths and idiosyncratic shapes may accumulate into a busy texture, while at larger sizes the distinctive slant and terminals become a strong stylistic cue.